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Tracing Warhol’s origins as the sickly child of Ruthenian immigrants in working-class Pittsburgh to his transformation into New York’s dark prince of Pop and finally into the world’s most successful ‘business artist’, “Andy Warhol “Giant” Size” provides an appropriately larger-than-life look at the celebrated artist’s career. Cultural critic Dave Hickey provides a compelling essay on Warhol’s geek-to-guru evolution while chapter openers by Warhol friends and insiders give special insight into the way the enigmatic artist led his life and made his art. More than 2,000 illustrations culled from rarely seen archival material, documentary photography, and artwork not only provide a full picture of the artist’s life but a telling look at late twentieth-century popular culture. Warhol’s little-explored early career as a successful commercial illustrator and designer, his importance as a co-creator of the Pop movement, his midcareer switch to filmmaker and manager of the Velvet Underground, his founding of Interview magazine, and his bid for the hearts and pocketbooks of the high-flying glitterati are shown throughout this stunning new volume.

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910mm x 610mm – Poster Quality

 

Classic Photography – First For Prints

First For Prints has new Classic Photography in stock… Prints and Posters from £4.95 plus free delivery on canvases over £40

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Post Impressionism – First For Prints Investigates

All About Impressionism

Georges Seurat (1859-1891) The Channel at Gravelines, Evening (oil on canvas, 1890)

Impressionism was the first movement in the canon of modern art. Like most revolutionary styles it was gradually absorbed into the mainstream and its limitations became frustrating to the succeeding generation. Artists such as Vincent Van Gogh, Paul Cézanne, Paul Gauguin and Georges Seurat, although steeped in the traditions of Impressionism, pushed the boundaries of the style in different creative directions and in doing so laid the foundations for the art of the 20th century. Their name was derived from the title of the exhibition ‘Manet and the Post-Impressionists’ which was organised in London by the English artist and critic Roger Fry in the winter of 1910-11. For historical convenience these artists have been labeled as Post Impressionists but, apart from their Impressionist influence, they don’t have that much in common.

Tahitian Landscape (oil on canvas, 1893)

Gauguin’s work can be split into two phases: an early period spent painting around the rustic town of Port Aven in Brittany; and a later period (post 1891) in search of the primitive lifestyle in Tahiti and the Marquesas Islands in the South Pacific. He fused his symbolic use of colour with images of both environments to create a highly personal and expressive vision that pushed art towards the exhilarating style of Fauvism.

The Best Art Museums in Paris – First For Prints Investigates

Three important attractions. The Louvre and Orsay Museums, and the Pompidou Center, have some of the best art collections in the world.

The Louvre Museum – The best art museum in the world is right here in Paris. Popular even before The DaVinci Code, Musee du Louvre has much, much more to offer visitors besides the Mona Lisa. The lower ground floor is famous for its top examples of Egyptian, Greek and Roman Antiquities. The ground floor, with one of the best collections of 16th – 19th century Italian sculptures in the world, also features sculptures from 5th – 18th century France. A museum visitor will find Winged Victory on the stairs to the first floor, and it is this floor which has the Mona Lisa (follow the large, slow-moving crowd) and many other top examples of Italian paintings from the 13th to the 17th century. Art from the Middle Ages and the Restoration also abound. The second floor of the Louvre Museum features German, Flemish and Dutch paintings and drawings, as well as prints, paintings and drawings from 14th-17th century France. Any one of the floors of the Louvre Museum would be a world-class museum on its own. When seen together, it’s almost difficult to get one’s mind around the sheer quantity of these amazing ancient, Medieval and Classical art collections.

The Orsay Museum – Chronologically starting roughly when the art of the Louvre ends, Musee du Orsay provides the link between the Louvre and the Pompidou. The Impressionist and Post-Impressionist Periods (mid-19th century to early 20th century) are featured in full splendor at the Orsay Museum; set up to be accessible, yet commanding respect from museum visitors, the Orsay is many Paris travelers’ favorite big museum. The ground floor features the earliest art in the Orsay. Sculptures flank the center aisle here, with Pre-Impressionism works by Degas, Delacroix, Manet, Monet and more among the paintings, drawings and decorative arts on this floor. The middle level has the famous Seine, Rodin, and Lille Terraces, along with paintings and sculptures by Denis, Galle, Klimt, Munch, and other famous artists. The upper level of the Orsay Museum is where the Impressionism and Post-Impressionism art really shines. More Degas, along with Cezanne, Gauguin, Manet, Matisse, Monet, Pissaro, Renoir, Seurat, Van Gogh and Whistler are here, each work of art astonishing in its accessibility. It’s exciting to be amid all these top examples of famous art, and it’s completely acceptable to photograph many of these works, providing the museum guest turns of the camera flash.

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The Pompidou Center – Centre Pompidou is clearly a home for modern art; it’s hard to miss the brightly colored tubes and pipes making up the exterior architecture while walking in its relatively staid Paris neighborhood. The Musee National d’Art Moderne, or Museum of Modern Art, is at the Pompidou, along with a public library and performance spaces. No vacation in Paris is complete, for a modern art buff anyway, without a visit to the Pompidou. The Dada and Surrealism movements are well represented at the Pompidou. Warhol, Jackson Pollack, Rothko, Kandinsky, Miro and Picasso are all featured prominently here, along with Marcel Duchamps and his “ready-made” works of art.

The National Centre for Art and Culture Georges Pompidou was the brainchild of President Georges Pompidou in the heart of Paris to create an original cultural institution entirely dedicated to creating modern and contemporary art where voisineraient with theater, music, movies, books, and the spoken word … Located in the heart of Paris, in an iconic piece of architecture of the twentieth century, designed by Renzo Piano and Richard Rogers, Pompidou Centre opened in 1977. Renovated from 1997 to December 1999, it opened to the public on 1 January 2000, by offering expanded museum spaces, surfaces and enhanced reception. It is again therefore one of the most visited attractions in France. Some 6 million visitors per year, the Centre Pompidou’s hosted in 30 years, nearly 190 million visitors.

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ART BOOKS & ART PRINTS – FREE DELIVERY (orders over £40)

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REVIEW – EGON SCHIELE

Schiele’s oils have often been reproduced and are well recognized. However, limited access to the fragile works on paper and dispersion among several collections have made for an unbalanced representation of his work as a draftsman.This book assembles drawings and watercolors from public and private collections and reproduces work from every year of the artist’s career, beginning with the juvenilia and early academic studies. The focus means that work that is rarely reproduced is represented extensively, providing a unique opportunity to study the rapid artistic development of Schiele over the course of his brief twelve-year career.The book is organized chronologically and divided into year-by-year sections. Each section includes a text that discusses the major events in Schiele’s life and the interrelation between the artist’s drawing and developments in his oil painting. Features a previously unpublished Schiele watercolor and several works that have never been reproduced in color.(

Need Your Art Printed – Stupidly Cheap but AMAZING QUALITY

FIRST FOR PRINTS

We offer high end wall art but we also print your photos and images. visit us at http://www.firstforprints.co.uk/ and have a look around. If you would like a free print or a sample just contact us and ask.

Who is Paul Gauguin? First For Prints Investigates.

He was born in Paris, France, to journalist Clovis Gauguin and Alina Maria Chazal, daughter of the half-Peruvian proto-socialist leader Flora Tristan, a feminist precursor. In 1849 the family left Paris for Peru, motivated by the political climate of the period. Clovis died on the voyage leaving eighteen-month-old Paul, his mother, and sister, to fend for themselves. They lived for four years in Lima with Paul’s uncle and his family. The imagery of Peru would later influence Gauguin in his art. It was in Lima that Gauguin encountered his first art. His mother admired Pre-Columbian pottery;  –  Inca pots that some colonists dismissed as barbaric, she collected. And one of Gauguin’s few early memories of his mother was of her wearing the traditional costume of Lima, one eye peeping from beneath the mysterious one-eyed veil, her manteau, that all women in Lima went out in. “Gauguin was always drawn to women with a ‘traditional’ look. This must have been the first of the colourful female costumes that were to haunt his imagination.

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Artist: Willem de Kooning – Woman III – How much???

Willem de Kooning

Woman III is a painting by abstract expressionist painter Willem de Kooning. Woman III is one of 6 paintings by Kooning in which the central theme was a woman. It measures 68 by 48 1/2 inches and was completed in 1953. In November 2006, the painting was sold by David Geffen to billionare Steven A. Cohen for $137.5 million, making it the second most expensive painting ever sold.

Museum of Fine Art Boston- First For Prints

The Museum of Fine Arts, Boston, was one of the earliest museums in the country to collect photography, initiated in 1924 when Alfred Stieglitz donated twenty-seven of his photographs. Other strengths of the collection include daguerreotype portraits by Southworth and Hawes; sublime landscapes of the American West; turn of the century Pictorialist photographs; European and Central European photography from between the wars, including a large collection of photographs by Josef Sudek; and the recently acquired archival collections of celebrity portraits by Yousuf Karsh and Herb Ritts and mountain photographs by Bradford Washburn

 

Who is Franz Marc? First For Prints

First For Prints investigates the wonders of Franz Marc…

We Offer many of his prints but who is he?

Franz Marc was born in 1880 in Munich, then the capital of the Kingdom of Bavaria. His father, Wilhelm, was a professional landscape painter, and his mother Sophie was a strict Calvinist. In 1900, Marc began to study at the Academy of Fine Arts, Munich, where his teachers would include Gabriel von Hackl and Wilhelm von Diez. In 1903 and 1907 he spent time in France, particularly in Paris, visiting the city’s museums and copying many paintings, a traditional way that artists studied and developed technique. In Paris, Marc frequented artistic circles, and was able to meet numerous artists, including the actress Sarah Bernhardt. He discovered a strong affinity for the work of Vincent van Gogh.

Marc made some sixty prints, in woodcut and lithography. Most of his mature work portrays animals, usually in natural settings. His work is characterized by bright primary color, an almost cubist portrayal of animals, stark simplicity and a profound sense of emotion. His work attracted notice in influential circles even in his own time. Marc gave an emotional meaning or purpose to the colors he used in his work: blue was used for masculinity and spirituality, yellow represented feminine joy, and red encased the sound of violence. After the National Socialists took power, they suppressed modern art; in 1936 and 1937, the Nazis condemned Marc as an entarteter Künstler (degenerate artist), and ordered that approximately 130 of his works be taken from exhibit in German museums.

Franz Marc’s best-known painting is probably Tierschicksale (also known as Animal Destinies or Fate of the Animals), which hangs in the Kunstmuseum Basel. Marc completed the work in 1913, when “the tension of impending cataclysm had pervaded society”, as one art historian noted.On the rear of the canvas, Marc wrote, “Und Alles Sein ist flammend Leid” (“And all being is flaming agony”). Conscripted during World War I, Marc wrote to his wife of the painting, it “is like a premonition of this war–horrible and shattering. I can hardly conceive that I painted it.”

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